Assume Vivid
Astro Focus


assume vivid astro focus
Eli Sudbrack born in Rio de Janeiro, Brazil, 1968
Lives and works in São Paulo, Brazil, and New York, USA
Christophe Hamaide-Pierson born in Paris, France, 1973
Lives and works in Paris, France

commercial projects and collaborations

Site-specific - roller skating disco rink, project for Centro de Artes Faena, Miami Beach, USA
Permanent Mural at National Sawdust, Brooklin, New York, USA
Public Art for Public School
, Permanent mural at Beacon High School, Nova York, USA
Permanent mural for Brooklyn's Original Music Workshop, New York, USA
Collaboration with Henzel Carpets, Paris, France
“The People’s Tee”, Nike
RxArt Hospital Installation Metropolitan Hospital Center, New York, USA
Vice X Madonna “Art For Freedom” Digital Initiative
Short film for films4peace, curated by Mark Coetzee
avaf+Art21 comboworks, online interactive project for Art21
Featured Artist in Art21 PBS series, New York, USA
Art to showcase and interior of Melissa store, New York, USA
GAGA’S WORKSHOP, an exhibition collaboration with Lady Gaga and Nicola Formichetti, Barneys New York, New York, USA
Visual collaboration with Comme des Garcons,
Artwork for façade and interior of Galeria Melissa store, São Paulo, Brazil

solo exhibitions
ángeles veloces arcanos fugaces, curated by Ximena Caminos, Faena Forum, Miami, USA
abstracto viajero andinos fetichizados, curated by Kiki Mazzucchelli, MATE - Museo Mario Testino, Lima Peru
always vomit after formalities, exhibition of 05 works on video, SITE 57, New York, USA
Assume Vivid Astro Focus, curated by Susanne Touw, Sammlung Goetz, Munich, Germany
, National Museum of Modern and Contemporary Art, Seul, South Korea
Contemporary Arts Center, Cincinnati, USA
Peres Projects, Berlim, Germany
Le Confort Moderne, Poitiers, France 
adderall valium ativan focalin (cantilevering me), The Suzanne Geiss Company, New York, USA
alisabel viril apagão fenomenal, Casa Triângulo, São Paulo, Brazil
Armory Focus: USA, The Armory Show, The Suzanne Geiss Company, curated by Eric Shiner, New York, USA
Featured artist of 2012 Gala, Museu de Arte Moderna de São Paulo, São Paulo, Brazil
Cyclops Trannies, The Suzanne Geiss Company, New York, USA
Silent Disco, One night performance and installation for the opening of Turner Contemporary, Margate, UK
Mural Installation, All Very Amazing Fingers, City of Philadelphia Mural Arts Program, Philadelphia, USA
Mural Installation, LIGHTBOX, Miami, USA
Cyclops Trannies, Casa Triângulo, SP-Arte, São Paulo, Brazil
archeologist verifies acid flashbacks, The Wynwood Walls, Miami, USA
Wallpaper and Neon Installation, Core Club, New York, USA
Ilegítimo, MOCA Cleveland, Cleveland, USA
aqui vivimos atisbando fantasmas , Centro Contemporaneo La Conservera, Murcia, Spain
artistiquement voué au feu, Galerie Hussenot, Paris, France
affektert veggmaleri akselererende faenskap, The National Museum of Art, Architecture and Design, Oslo, Norway
Menschen Tiere Sensationen/ancient vagrancy appolonian futurism, Kunstverein Arnsberg, Germany
Poprally, MoMA, New York, USA
ameixa vazio attack fátima, Casa Triângulo, São Paulo, Brazil
aqui volvemos adornos frivolos, Peres Projects, Berlin, Germany
antonella varicella arabella fiorella, public project for ENEL Contemporanea 2008, curated by Francesco Bonami, Rome, Italy
ameiz vous avec ferveur, special project for Museum of Modern Art [MoMA], New York, USA 
absolutely venomous accurately fallacious (naturally delicious), Deitch Projects, New York, USA
alienation vertigo action formula, special project for lounge VIP of The Armory Show, New York, USA
Concrete Waves: Homage to Skate Culture, with Ryan McGinness and P.S. 1, MoMA, Art Basel Miami Beach, Miami, USA
faux dark shada rustic moniques, Hiromi Yoshii Gallery, Tokyo, Japan
a very anxious feeling, John Connelly Presents, New York, USA
abra vana alucinete fogo, Casa Triângulo, São Paulo, Brazil
butch queen realness with a twist of pastel color,  John Connelly Presents, New York, USA
Open Call, Kunsthalle Wien project space, Vienna, Austria       
absorb viral attack fantasy, Hiromi Yoshii, Tokyo, Japan
Off the Wall Series, in collaboration with Elmgreen e Dragset, Indianapolis Museum of Art, Indianapolis, USA
homocrap #2, Galleria Massimo de Carlo, Milan, Italy
butch queen realness with a twist in pastel colors, with Dick Jewell, Tate Liverpool, Liverpool, UK
assume vivid astro focus XI, Rosa and Carlos de la Cruz Private Collection, Key Biscayne, USA
Make It With You: A Slow Dance Club, in collaboration with Los Super Elegantes, Frieze Art Fair, London, UK
assume vivid astro focus IX, project with Central Park's Dance Skaters Association sponsored by The Public Art Fund with Whitney Biennial 2004, New York, USA
assume vivid astro focus VII, Deitch Projects, New York, USA
assume vivid astro focus V, Peres Projects, San Francisco, USA
assume vivid astro focus III, Bellwether Gallery, New York, USA

selected group shows
Quermuseu – Cartografias da Arte Brasileira, curated by Gaudêncio Fidelis, Santander Cultural, Porto Alegre, Brazil

Greek Gotham, 
curated by Maria Britto, Dio Horia, Mykonos, Greece
Structures of Power,
Diablo Rosso, Panama City, Panama
Soft Power. Arte Brasil.,
Kunsthal Kade, Amersfoort, Netherlands
Saideira, curated by Fernando Mota, Casa Triângulo, São Paulo, Brazil
Coney Art Walls, Brooklyn, Nova York, USA
Love Story – Works From Erling Kagge’s Collection, curated by Erling Kagge, Gunnar B. Kvaran and Therese Möllenhoff
Astrup Fearnley Museet, Oslo, Norway
Faena Hotel’s 10-year anniversary, Faena Arts Center, Buenos Aires, Argentina
Transperformance 3 – Corpo Estranho, curated by Luísa Duarte e Gabriel Bogossian, Oi Futuro Flamengo, Rio de Janeiro, Brazil
Casa Triângulo no Pivô, Pivô, São Paulo, Brazil
Kino International Theater, Berlim, Germany
Art, Fashion, Action, curated by Cecilia Dean, SESC, São Paulo, Brazil 
Pivo Points: 15 years and Counting, curated by Bonnie Clearwater, MOCA, Miami, USA
Tuyauterie Tropicale, Natures Artificielles [Lille 3000], Hotel Europa, Lille, France
Pop politics: Activismos a 33 Revoluciones, curated by Ivan Lopez Munuera, Centro de Arte Dos de Mayo, Madrid, Spain
The Lift: avaf, Kiki Smith, and Andrea Zittel, Bloomberg in collaboration with Art21, New York, USA
Portrait of a Generation, The Hole, New York, USA
Tro-pi-cal, Akershus Kunstsenter, Lillestrom, Oslo, Norway
Collages: Incisions-Fragments-Montages, Galerie Thaddaeus Ropac, Paris, France
In Living Color, FLAG Art Foundation, New York, USA
Collaborations and Interventions, curated by Friederike Nymphius, CCAC, Mallorca, Spain
Blabla et Chichi sur un bateau, Galerie Hussenot, Paris, France
Kunsthalle Andratx, Mallorca, Spain
Lille3000, Lille, France
Perceptual Conceptual: Echoes of Eugenia Butler, LAND [Los Angeles Nomadic Division], Los Angeles, USA
The Space Between Now and Then, Galleria OMR, Mexico City, Mexico
Krakow Photomonth, curated by Adam Broomberg and Oliver Chanarin, Krakow, Poland
Travessias, Favela de Maré, Rio de Janeiro, Brazil
Experience Pommery #9, Domaine Pommery, curated by Claire Staebler and Charles Carcopino, Reims, France
New York Minute, Garage Center for Contemporary Culture, Moscow, Russia
Skin Fruit: Selections from the Dakis Joannou Collection, The New Museum, curated by Jeff Koons, New York, USA
Demons, Yarns, and Tales, James Cohan Gallery, New York, USA
Scorpio’s Garden, Temporare Kunsthalle Berlin, Berlin, Germany
New York Minute, MACRO Museum, curated by Kathy Grayson, Rome, Italy
Chelsea Visits Havana, Museo Nacional de Bellas Artes, Havana, Cuba
Zweckgemenschaft, curated by Francesco Stocchi, MICA MOCA, Berlin, Germany
Minneapolis, Peres Projects, Los Angeles, USA
Tattoo, Kathleen Cullen Fine Arts, New York, USA
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection,
The Museum of Modern Art, New York, USA
One night performance with Black Meteoric Star, Donau Music Festival, Vienna, Austria
In Living Contact, 28ª Bienal de São Paulo, São Paulo, Brazil
ENEL Contemporanea 2008, curated by Francesco Bonami, Rome, Italy
The Voting Booth Project, benefit exhibition for The Rema Hort Mann Foundation, curated by Quang Bao, David Zwirner Gallery, New York, USA
I/Legitimo, curated by Daniela Bousso, Paço das Artes, São Paulo, Brazil
Super#3, an one night performance with Black Meteoric Star (Gavin Russom), Maison des Arts de Créteil, Paris, France
The Rocky Mountain People Show, curated by Fabio Cavallucci and Cristina Natalicchio, Galleria Civica di Arte Contemporanea, Trento, Italy
Cover, curated by Fernando Oliva, Museu de Arte Moderna de São Paulo, Brazil
When Lives Become Form: Dialogue with the Future – Brazil, Japan, curated by Yuko Hasegawa,
Museu de Arte Moderna de São Paulo, São Paulo, Brazil
Tiny Art Show, curated by Maxwell Williams, Cynders Gallery, Brooklyn, New York, USA
Graffiti, curated by Daniela Bousso, Paço das Artes, São Paulo, Brazil
Glasgow International, curated by Caroline Stevenson, Glasgow, UK
Gravity: Selected works from the Ernesto Esposito Collection, Museo Artium, Vitoria-Gasteiz, Spain 
Sympathy for the Devil: Art and Rock and Roll Since 1967, curated by Dominic Molon, Museum of Contemporary Art, North Miami, USA, e [and] Musee D’Art Contemporain de Montreal, Quebec, Canada
A New High In Getting Low (NYC), curated by John Connelly, John Connelly Presents, New York, USA
Brevity’s Rainbow, curated by Maxwell Williams, Cinders Gallery, Brooklyn, USA
shada shada La Chatte, one night performance in collaboration with La Chatte, part of La Noche en Blanco, organized by Reina Sofia and ARCO, Matadero, Madrid, Spain
Double Vision, Deutsche Bank, New York, USA
New Perspectives in Latin American Art, 1930-2006: Selections from a Decade of Acquisitions, curated by Luis Pérez-Oramas, Museum of Modern Art, New York, USA
BoysCraft, curated by Tami Katz-Freiman, Haifa Museum of Art, Haifa, Israel
A New High In Getting Low, ArtNews Projects, curated by John Connelly, Berlin, Germany
Studio Voltaire Portfolio, Studio Voltare, London, UK
Gravity’s Rainbow, Peres Projects, Athens, Greece
Space For Your Future, curated by Yuko Hasegawa, Museum of Contemporary Art, Tokyo, Japan
The Studio of the Street, Deitch Projects: Art Basel, Basel, Switzerland
Out of Art, from the Collection of Ernesto Eposito, CentrePasquArt, Kunsthaus Centre d’Art, Biel Bienne, Switzerland
Playback, curated by Anne Dressen, Musée d’Art moderne de la Ville Paris, Paris, France
Sympathy for the Devil: Art and Rock and Roll Since 1967, curated by Dominic Molon, MCA, Chicago, USA
Rozamira Festival, Moscow, Russia
Destroy Athens, Athens Biennial, curated by Xenia Kalpaktsoglou, Poka-Yio and Augustine Zenakos, Athens, Greece
Fractured Figure: Works From the Dakis Joannou Collection, Deste Foundation, Athens, Greece
The Weasel: Pop Music and Contemporary Art, South London Gallery, London, UK
She Was Born To Be My Unicorn, curated by Amy Keller, Smith-Stewart, New York, USA
CARToons at COMICON, Changing Role – Move Over Gallery, Naples, Italy
Impossibly Familiar, Fashion Institute of Technology, Art Gotham, New York, USA
Independent Curators International, New York Studio Events, New York, USA
Cosmologies, James Cohan Gallery, New York, USA
BoysCraft, curated by Tami Katz-Freiman, Haifa Museum of Art, Haifa, Israel
Night Visions: MOCA after Dark, Museum of Contemporary Art, Los Angeles, USA
Out of Art, from the Collection of Ernesto Eposito, CentrePasquArt: Kunsthaus Centre d’Art, Biel Bienne, Switzerland
Underplayed: A Mix-Tape of Music-Based Videos, curated by Julio Morales and Berin Golonu, YBCA, Los Angeles, USA
Art on Paper 2006, curated by Xandra Eden  Weatherspoon Art Museum, Greensboro, USA
Kamp K48, curated by Scott Hug, John Connelly Presents, New York, USA
Constant Disturbance: On Cultural Contamination and Foreign Agents, curated by Gean Moreno Centro Cultural Español, Coral Gables, USA
Faces, bodies and contemporary signs of Ernesto Esposito’s collection, Museo D’Arte Contemporanea Donna Regina, Naples, Italy
CITYZOOMS: New York, TBA, Bonn, Germany
Tempest, curated by John Connelly, The Fireplace Project, East Hampton, USA
Contemporary Video Art from Brazil, KW Institute for Contemporary Art, Berlin, Germany
Tropicália, curated by Carlos Basualdo, Museum of Contemporary Art, Chicago, USA; Barbican, London, UK; Bronx Museum of the Arts, Bronx, New York, USA
Ninth Tropical Night – Pablo Internacional, Palais de Tokyo, Paris, France
Panic Room, works from the Dakis Joannou Collection, Deste Foundation Centre For Contemporary Art, Athens, Greece
Trial Ballons/Globos Sonda, curated by Yuko Hasegawa, Agustin Pérez Rubio, and Octavio Zaya, MUSAC, León, Spain
Infinite Painting, curated by Francesco Bonami and Sarah Cosulich Canarutto, Villa Manin Centre for Contemporary Art, Codroipo, Italy
Swallow Harder: Selections from the Ben and Aileen Krohn Collection, Frye Museum, Seattle, USA
The Gallery Show, Extra City Center for Contemporary Art, Antwerp, Netherlands
The Garden Party, Deitch Projects, New York, USA
SuPERM Salon/Superhole Weekend Sundown Salon, Los Angeles, USA
Group Show, John Connelly Presents, New York, USA
Baroque and Neo-Baroque, curated by Javier Panera, Salmanca Contemporary Art Centre, Salamanca, Spain
The Zine UnBound: Kults, Werewolves and Sarcastic Hippies (“K48”, curated by Scott Hug), Yerba Buena Center for the Arts, San Francisco, USA  
Ecstasy: In and About Altered States, curated by Paul Schimmel, The Geffen Contemporary at MOCA, Los Angeles, USA
Manchmal weiss ich nicht, ob ich etwas wirklich erlebt oder ob ich es in einem Film geshen habe, Goetz Collection, Munich, Germany
op-ish, Samson Projects, Boston, USA
Draw, Galerie du jour agnes b., Paris, France
Seeing Double: Encounters with Warhol, Andy Warhol Museum of Art, Pittsburg, USA
Growing up Absurd, Kent Institute of Arts and Design (Herbert Read Gallery), Canterbury, UK
Drone, Vilma Gold, London, UK
Colour My World, Riflemaker Gallery, London, UK
Divided by Lightning, Deitch Projects, New York, USA
Revenge of Romance, Temporary Contemporary, London, UK
Nocturnal Emissions, Groninger Museum, Groninger, Netherlands
The Stars of Track and Field are Beautiful People, Changing Role Gallery, Naples, Italy
Byproducts of Work, Contemporary Art Gallery, Vancouver, Canada
If You Believe Hard Enough…, Rocket Projects, Miami, USA
assume vivid astro focus VII, Whitney Biennial, Whitney Museum of American Art, New York, USA
Carnaval, Centro Cultural do Banco do Brasil, Rio de Janeiro, Brazil
Works on Paper, Southfirst, New York, USA
Cave Canem, John Connelly Presents, New York, USA
Such Things I do Just to Make Myself More Attractive to You, peres projects, Los Angeles, USA
The 6th Annual Altoids Curiously Strong Collection, Consolidated Works, Seattle, USA
Hovering, Peres Projects, Los Angeles, USA
Fast Forward (Media Art from the Goetz Collection), HYPERLINK ZKM, Karlsruhe, Germany
Study, Taka Ishii Gallery, Tokyo, Japan
Today’s Man, John Connelly Presents, New York, USA, Hiromi Yoshii Gallery, Tokyo, Japan
Corporate Profit vs. Labor Costs, D’Amelio Terras, New York, USA
K48_Teenage Rebel: The Bedroom Show" curated by Scott Hug, galerie du jour/agnes b., Paris, France
Impakt Festival, curated by Arjon Dunnewind, Utrecht, Netherlands
Karaoke Death Machine, Daniel Reich, New York, USA
Videodrome, curated by Nicolas Trembley, Cosmic Galerie, Paris, France
Life/Like, curated by Oliver Kamm, Apartment 5BE, New York, USA
Emerging Artists, curated by Simon Watson, Rhona Hoffmann Gallery, Chicago, USA
K48_Teenage Rebel: The Bedroom Show, curated by Scott Hug, John Connelly Presents, New York, USA
Georges: Abstraction/Surface, curated by Nicolas Trembley, Centre Georges Pompidou, Paris, France
Coleções 3, curated by Néssia Pope, Galeria Luisa Strina, São Paulo, Brazil
High Desert Test Sites, curated by Andrea Zittel, Andy Stillpass and John Connelly, Joshua Tree, Los Angeles, USA 
Vidéo Topiques, curated by Lydia Yee, Musée d'Art Moderne et Contemporain, Strasbourg, France
Videodrome II, curated by Anne Ellegood, Dan Cameron, Anne Barlow and Johanna Burton, Zenith Media Lounge, New Museum of Contemporary Art, New York, USA
Room for a Revolution, curated by Kristen VanDeventer and Lisa Williamson, Deluxe Gallery, Chicago, USA
End of the Rainbow, Bellwether, New York, USA
222: 2002: Stardust: Assume Vivid Astro Focus and Kalaman, curated by Anton Kern, Apex Art, New York, USA
Unknown Pleasures, curated by Daniel Reich, Daniel Reich, New York, USA
Bathroom Group Show, curated by Daniel Reich, Daniel Reich, New York, USA       
Face Value, curated by Lauren Ross, White Columns, New York, USA
Miss World 1972, curated by Daniel Reich, Daniel Reich, New York, USA
Alpha Flight, curated by John Connelly, John Connelly Presents, New York, USA
Deslocamentos do Eu: O Auto-Retrato Digital e Pré-Digital na Arte Brasileira, 1976-2001, curated by Tadeu Chiarelli, Itaú Cultural Campinas, Campinas, São Paulo, Brazil
São Paulo Turística, curated by Ricardo Resende, Museum de Arte Moderna de Higienópolis, São Paulo, Brazil
Biting Style and Spitting Image, curated by Diane Chamber and Denise Delgado, Bass Museum of Art, Miami, USA
To Be Continued, curated by Rebecca Smith and Matt Keegan, Bellwether, Art In General and Parlour Projects, New York, USA
Recent Works from Project Antárctica Artes com a Folha’s Artists, Casa Triângulo, São Paulo, Brazil
City Cannibal, curated by Daniela Bousso, Paço das Artes, São Paulo, Brazil
Excesso, curated by Daniela Bousso, Paço das Artes, São Paulo, Brazil
Antárctica Artes com a Folha, Pavilhão Padre Manoel da Nóbrega, Parque do Ibirapuera, São Paulo, Brazil

public collections
Museum of Modern Art [MOMA], New York, USA
Goetz Collection, Munique, Germany
DESTE Foundation for Contemporary Art, Atenas, Grécia
Museu de Arte Moderna de São Paulo, São Paulo, Brazil
Museum of Contemporary Art, Rome, Italy
Museum of Contemporary Art, North Miami, USA
National Museum of Art, Architecture, and Design, Oslo, Norway
The Lauro Collection, Il Giardino dei Lauri, Perugia, Italy
De La Cruz Collection, Miami, USA
The Depart Foundation, Rome, Italy

selected press
My Influences, Frieze, No. 152 January-February, 2013.
AVAF, Vaga Magazine, Issue No. 4, Spring, 2013.
Vogue Brazil, June 26th, 2012.
Dijon, Honey,, May 30, 2012.
Iredale, Jessica. “Inside Melissa’s New Soho Shop,” WWD, February, 2012.
Blumenthal, Erica M., “Browsing”, Thursday Styles, The New York Times, February, 2012.
Murrow, Lauren. “The Shoes Are Nice Too,”, February, 2012.
B1 Be One Magazine, May, 2011.
Graham, Mhairi, “Who, What, Why: Dover Street Market’s Open House”,, October, 2011.
Karimzadeh, Marc, “Lady Gaga Links with Barneys New York,”, August, 2011.
Chaplin, Julia, “ Art Basel Miami’s Big – Buzz 10”, The New York Times, November, 2010.
Sophie, Cay, “ Another Vicious Admiring Friend”, V Magazine, November, 2010.
Miller, Ken, “ Far Out – AVAF”, New York Times’ The Moment Blog, November, 2010.
Rudnik, Katie, “ More Than 2-D – Assume Vivid Astro Focus in Print”, Interview Magazine, October, 2010.
Davies, Lucia, “ Who, What, Why – Assume Vivid Astro Focus”, Another Magazine online, October, 2010.
Orden, Erica, “Lastly, Play the Odds (But Just For Fun),” New York, April, 2009.
Orden, Erica, “The Modern’s Windows Go From Clear to Colorful,” The New York Sun, August, 2008.
Paravisi, Riccardo, “The Rocky Mountain People Show.  Galleria Civica di Arte Contemporanea di Trento,” Artkey Magazine, August, 2008.
“Art and Public Space. Enel Contemporanea 2008,” Arts and Architecture Journal, issue 66/67.
“Enel Contemporanea: Art Among the Ruins,” Art World, August-September, 2008.
Pancotto, Pier Paolo, “Perdersi a Roma con Eli Sudbrack,” l’Unita, July, 2008.
Drake, Cathryn, “Roman Holiday,”, July, 2008.
Patresi, Ludovico, “I Brasiliani di Oggi nella Roma di Ieri”, La Republica, July, 2008.
Visconti, Andrea, “La Mia Arte Va Presa a Testate”, L’Espresso, July, 2008.
Amadasi, Giovanna, “Astro Boys”, Marie Claire Italia, July, 2008.
Vedovotto, Sabrina, “Giochi di Luce a largo Argentina L’archeologia diventa pop-art”, Il Giornale, July, 2008.
Fiaschetti, Maria Egezia, “Notte d’arte,” Corriere della Sera, July, 2008.
Mattioli, Laura, “Video, luci e gioco: le colonne antiche diventano ‘pop’ “, Il Messagero, July, 2008.
“Enel Contemporanea 2008: Tre Nuove Installazione di Artisti Internazionali a Roma e a Venezia,” Il Manifesto, July, 2008.
Inaba, Jeffrey, “Enel Contemporanea da Energia all’arte,” Econony, July, 2008.
Colavecchio, Valeria, “L’energia diventa arte,” Donna Moderna, June, 2008.
“Works in Progress: assume vivid astro focus”, V Magazine, July, 2008.
Tang, Alyssa, “Demolition Disco with assume vivid astro focus,”, July, 2008.
Kellner, Amy, “ART TALK! ASSUME VIVID ASTRO FOCUS”, Vice TV (, May, 2008.
Drysdale, Rebekah, “assume vivid astro focus”, Daily Serving, May, 2008.
Rabinowitz, Cay Sophie, “The You-As-Me-Issue,” Parabol, January, 2008.
Hasegawa, Yuko, Space for Your Future, exhibition catalog, December, 2007, p. 112-115, p. 160-161.
Smith, Roberta, “Latin American Modernism, The Sequel,” The New York Times, November, 2007.
Mayer, Mariano, “Arte Acumulación,” Neo2, November, 2007.
Schmalenberger, Eric, “Assume the Position,” USELESS, issue 6, p.29, 2007.
“assume vivid astro focus,” Art Review, July-August, 2007.
Lima, Benjamin, “assume vivid astro focus at John Connelly Presents,” Art in America, November, 2007, p. 208.
Kastner, Jeffrey, “Assume Vivid Astro Focus,” Art Forum, September, 2007, p. 471.
Villasmil, Alejandra, “Assume Vivid Astro Focus,” Arte al Dia International, August-September, 2007, p. 111.
Cotter, Holland, “The Creative Spirit, Strolling Thorugh SoHo With Its Fringe Flying,” NY Times, September, 2007.
De La Barra, Pablo Leon, “Abra Vana Aluciente Fogo, Casa Triangulo, Sao Paolo,” Frog Magazine, Spring-Summer Issue, 2007.
Laster, Paul, “Interview: assume vivid astro focus,” Artkrush, June, 2007.
“assume vivid astro focus,” Art Review, July–August, 2007.
Risemberg, Rafael, “Four-Letter Words,”, June, 2007.
Lowenstein, Kate, “Art in the City: When Art Attacks,” The L Magazine, June-July, 2007.
Baker, RC, “assume vivid astro focus, Best In Show,” The Village Voice, June, 2007.
“Wallpaper is the next artwork,” New York Magazine, May, 2007.
Genocchio, Benjamin, “Assume Vivid Astro Focus: “A Very Anxious Feeling”, The New York Times, Weekend Arts, May, 2007.
Leffingwell, Edward, “Brazilian Improv,” Art in America, April, 2007.
Hammonds, Kit, “travel: brazil,” tema celeste, March, 2007.
Francesco Spampinato, “A New York: É l’ora della Neopsichedelia,” Arte, March, 2007.
Smith, Roberta, "Cosmologies," The New York Times, February, 2007.
Antebi, Nicole, Dickey, Colin, and Herbst, Robby, Failure! Experiments in Aesthetics and Social Practices, p. 184-188.
Moreno, Gean, “assume vivid astro focus,” Art Nexus, No. 62 Volume 5, 2006, p.76-79.
Cotter, Holland, Butch Queen Realness With A Twist In Pastel Colors,” New York Times, July, 2006.
Bonami, Francesco and Sarah Cosulich Canarutto, Infinite Painting, Villa Manin, Codroipo, Italy, 2006, p. 32.
Zaya, Octavio, Trial Balloons, MUSAC, León, Spain, 2006, p. 9.
Blackley, Lachlan, “assume vivid astro focus,” Wallpaper, Laurence King Publishing, London p. 20-24.
Hastreiter, Kim, “Booty Call,” Paper, June-July, 2006.
“It’s all in the Blend,” Blend, issue 13, June, 2006.
 “Handle with Care,” Nylon, March, 2006.
Moreno, Gean, Constant Disturbance: On Cultural Contamination and Foreign Agents, Centro Cultural Espanol, Coral
Gables, Florida, 2006, p. 30-31.
Nairne, Sandy and Sarah Howgate, The Portrait Now. National Portrait Gallery, London, 2006, p.38.
“Gallery - Contemporary Art,” Lufthansa Magazine, March 2006, p.86.
Meyers, Julian, “Ecstasy Review,” Frieze, January-February, 2006, p.145.
Paterson, Carrie, “Group Shows: Ecstasy,” Flash Art, January-February, 2006.  
Perrée, Rob, “Kunst als Muziek,” Kunstbeeld, n.12, January, 2006, p. 20 – 23.
Davis, Erik, “Ecstasy: In and About Altered States,” ArtForum, January, 2006.
Grosenick, Uta. Art Now: Vol. 2, 2005, p.36-39.
Domschke, Gisela, “Art, Media, and Video Art in Brazil,” ARCO Contemporary Art n.38, Winter 2005, p. 7 – 11.
“Ecstasy,” Tema Celeste, November-December, 2005.
Campbell, Christopher, “Miami Confidential,” New York Times Style, Winter 2005, p. 108.
Souri, Kim, “Know+Tell,” Details, November, 2005, p. 44.
Kimmelman, Michael, “A Mind Bending Head Trip (All Legal),” The New York Times, November, 2005.
Drohojowska-Philip, Hunter, “The Art Trip,”, Fall 2005.
Meyers, Terry, “High Society,” ArtReview, October, 2005, p. 29.
Knight, Christopher, “Take a Mind Excursion,” Los Angeles Times, October, 2005.
Finkel, Jori. “Dancing on a Ceiling (with Tom Cruise),” New York Times, October, 2005, p. 36, 38.
Muchnic, Suzanne, “Mind-bending Visions,” Los Angeles Times, October, 2005.
Smith, Roberta, “Tune In, Turn On, Dig Art,” New York Times, September, 2005.
Moreno, Shonquis, “Garden of Earthly Delights,” Frame, September-October, 2005, p.88-89.
Schimmel, Paul, Ecstasy: In and About Altered States, MOCA, Los Angeles, CA, 2005, p.54-57.
Smith, Terry, “Biennales: In the Conditions of Contemporaneity,” Art & Australia, Autumn 2005, p.406 – 415.
White, Ian, “It’s a Film Club, and Everyone’s Invited,” ArtReview, vol. LVI, August, 2005, p.46 – 47.
Connelly, John, “assume vivid astro focus,” Vogue Hommes, Spring/Summer 2005, p.114 – 117.|
Leventis, Andreas, “Emerging Artists: Man or Multitude? The bootlegged beauty of assume vivid astro focus,” Modern Painters, April, 2005, p. 48 – 49.
Cattelan, Maurizio. “Holding Court: Assume Vivid Astro Focus and Cory Arcangel,” Tokion, March/April 2005,
p.56 – 57.
“Inner Cities”, ArtReview, March, 2005, p.60 – 63.
Reginato, James, “Sky High”, W, vol. 34 issue 3, March, 2005, p.42.
Grayson, Kathy and Jeffrey Deitch. “Assume Vivid Astro Vocus,” Live Through This, 2005, p. 94-97.
Van Der Zijpp, Sue-an, “Nocturnal Emissions:Assume Vivid Astro Focus,” Groninger  Museum Magazine, November, 2004, p.8.
Valdez, Sarah, “Club Psychedelia: Last Night An Artist Saved My Life,”PaperMag, November, 2004, p. 62 – 63.
“The Magnificient Seven: What to look for at the Frieze Art Fair 2004,” Art Review, October, 2004, Ed. International, p.35.
LaFreniere, Steve, “My Pop,” ArtForum, October, 2004, p. 247.
Herzog, Eve, “Hot List: The New Artist to Know,” Harper’s Bazaar, September, 2004, p. 275.
Corbetta, Caroline, “Temporary Name,” Vogue Uomo, July-August, 2004, p. 46.
Prisco, Joanna, “Spin Me Around,” Surface, Surplus: Art, The Disco Luxe Issue, n. 48, p. 178.
LaVallee, Andrew, “Young Artists Get Personal with Politics in Group Show,” NY Arts, July, 2004.
Wolf, Matt, “Majority ‘Whip’,” Flash Art, July-September, 2004, p. 63.
Korotkin, Joyce B., “The Neo-Baroque Era,” Tema Celeste, June-August, 2004, issue 104, p. 38 - 45.
Bankowsky, Jack, “Many Happy Returns, This Is Today,” ArtForum, May, 2004.
“American Pie,” Frieze, issue 83, p. 65.
Jane Grossman, Anna, “Who?” The New York Observer, April, 2004.
Scott, Andrea K, “Free Parking,” TimeOut, April, 2004.
Sundell, Margaret, “The today show: The Whitney sums up the state of contemporary art in the best biennial in years,” Time Out, March-April, 2004.
Weyland, Jocko, “American Splendor,” TimeOut, March, 2004.
Schjeldahl, Peter, “What’s New,” New Yorker, March, 2004, p. 100.
Kimmelman, Michael, “Touching All Bases,” New York Times, March, 2004.
Cotter, Holland, “Duck! It’s Whitney Biennial Season Again,” New York Times, March, 2004.
Rosenberg, Karen, “Biennial Favorites”, New York Magazine, March, 2004.
Cobb, Chris, “assume vivid astro focus”, Flash Art, January-February, 2003, p. 112.
Cotter, Holland, “Paul P.,” New York Times, July, 2003, p. E33.
Eleey, Peter, “K48-3: Teenage Rebel – The Bedroom Show,” Frieze, April, 2003, p. 104.
Garret, Craig. “Teenage Rebel at John Connelly Presents,” Flash Art, March-April, 2003, p. 51.
Kimmelman, Michael, “Now Playing,” New York Times, July, 2003, p. E33.
Laster, Paul, “K48-3: Teenage Rebel – The Bedroom Show”, Time Out, January, 2003, p. 59.
Lee, Carol, “The Scope Art Fair at Dylan Hotel,” Paper, March, 2003.
Levin, Kim, “assume vivid astro focus,” Village Voice, July, 2003.
Raymond, Jon, “Assume Vivid Astro Focus,” Artforum, July, 2003.
Robinson, Walter, “Weekend Update: Scope Art Fair”,, March, 2003.
Robinson, Walter, “Weekend Update,”, July, 2003.
Rosenberg, Karen, “Outside and In,” Village Voice, January, 2003, p. 69.
Smith, Roberta, “A Bread-Crumb Trail to the Spirit of the Times,” New York Times, January, 2003.
Smith, Roberta, “A Grand Finale of Group Show Fireworks,” New York Times, July, 2003, p. E31.
Arruda, Fernanda, 222-2002: Stardust, Exhibition Brochure, June, 2002.
Bollen, Chris, “Two for Tee,” V Magazine, March-April, 2002.
Cotter, Holland, “Assume Vivid Astro Focus,” New York Times, June, 2002, p. E37.
Johnson, Ken, “Face Value,” New York Times, February, 2002, p. E42.
LaFreniere, Stev, “Top Ten,” Artforum, May, 2002, p. 47.
Powhida, William, “Bubblegum Disco in Space,”, July, 2002.
Yee, Lydia, Musique/Video, Exhibition Catalog, November, 2002, p. 174.
“Critic’s Picks: 222-2002,” Time Out, June, 2002, p. 62.
High Desert Test Sites, exhibition catalog, November, 2002, p. 18.
Chiarelli, Tadeu. “O Auto-Retrato na (da) Arte Contemporânea”, Deslocamentos do Eu: O Auto-Retrato Digital e Pre-Digital na Arte Brasileira, 1976-2001, exhibition catalog, July, 2001.
Cotter, Holland, “Miss World 1972,” New York Times, December, 2001, p. E44.
Philips, Richard, “Top Ten,” Artforum, November, 2001.
Scott, Andrea, “Goings on About Town: Alpha Flight,” New Yorker, December, 2001, p. 18.

The Public Art Fund’s In The Public Realm Grant    
The Rema Hort Mann Foundation Grant for emerging artists