Assume Vivid
Astro Focus

assume vivid astro focus
Eli Sudbrack nasceu no Rio de Janeiro, Brasil, 1968
Vive e trabalha em São Paulo, Brasil e Nova York, EUA
Christophe Hamaide-Pierson nasceu em Paris, França, 1973
Vive e trabalha em Paris, França

exposições individuais e projetos 

2018
aquele vestígio assim…feérico, Casa Triângulo, São Paulo, Brasil
amoroso vagabundo axila fedida, Viva Projects, São Paulo, Brasil
Blanche Monnier, Le Confort Moderne, Poitiers, França
Isola Isola, Francesco Pantaleone Arte Contemporanea, Palermo, Itália
2017
abstracto viajero andinos fetichizados, MATE, Lima, Peru
ángeles veloces arcanos fugaces, Faena Forum, Miami, EUA
avalanches volcanoes asteroids floods, Fredric Snitzer Gallery, Miami, EUA
2016
Perimetrava, um projeto de arte pública em colaboração com OIR e Nike, Praça Marechal Âncora, Rio de Janeiro, Brasil
avalanches volcanoes asteroids floods, MCA Santa Bárbara, Santa Bárbara, EUA
auch vögel altern früh, Sammlung Goetz, Munique, Alemanha
2015
Mural permanente, The Beacon High School produzido por Public Art for Public Schools, Nova York, EUA
Mural permanente, Bernard Tschumi’s À La Folie, Parc de la Vilette, Paris, França
axiomatic verve across fenestrations (contagious), CAC (Contemporary Arts Center), Cincinnati, EUA
Mural permanente, The National Saw Dust, Brooklyn, Nova York, EUA
2014
ángeles veloces arcanos fugaces, Faena Arts Center, Buenos Aires, Argentina
adderall valium ativan focalin (cantilevering me), The Suzanne Geiss Company, Nova York, EUA
Mural permanente, KaDE, Amersfoort, Holanda
2013
alisabel viril apagão fenomenal, Casa Triângulo, São Paulo, Brasil
arms viable and fast, The Armory Show, Focus Section, Nova York, EUA
2011
Cyclops Trannies, The Suzanne Geiss Company, Nova York, EUA
Participou da série de TV PBS Art21
2010
aqui vivimos atisbando fantasmas, La Conservera, Múrcia, Espanha
artistiquement voué au feu, Galerie Hussenot, Paris, França
2009
affektert veggmaleri akselererende faenskap, The National Museum of Art, Architecture and Design, Oslo, Noruega
Menschen Tiere Sensationen/ancient vagrancy appolonian futurism, Kunstverein Arnsberg, Alemanha
Poprally, MoMA, Nova York, EUA
2008
ameixa vazio attack fátima, Casa Triângulo, São Paulo, Brasil
aqui volvemos adornos frivolos, Peres Projects, Berlim, Alemanha
antonella varicella arabella fiorella, projeto de arte pública para ENEL Contemporanea 2008, Roma, Itália
aimez vous avec ferveur, MoMA, Nova York, EUA
absolutely venomous accurately fallacious (naturally delicious), Deitch Projects, Nova York, EUA
2007
Concrete Waves: Homage to Skate Culture, Art Basel Miami Beach, Miami, EUA
a very anxious feeling, John Connelly Presents, Nova York, EUA
2006
abra vana alucinete fogo, Casa Triângulo, São Paulo, Brasil      
butch queen realness with a twist of pastel color, John Connelly Presents, Nova York, EUA
Open Call, Kunsthalle Wien, Viena, Áustria       
absorb viral attack fantasy, Hiromi Yoshii, Tóquio, Japão
2005
homocrap #2, Galleria Massimo de Carlo, Milão, Itália
butch queen realness with a twist in pastel colors, Tate Liverpool, Liverpool, Reino Unido
2004
assume vivid astro focus XI, Coleção de Rosa and Carlos de la Cruz, Miami, EUA
Make It With You: A Slow Dance Club (em colaboração com Los Super Elegantes), Frieze Art Fair, Londres, Reino Unido
assume vivid astro focus IX, um projeto de arte pública com o Central Park's Dance Skaters Association produzido pelo The Public Art Fund com colaboração com 2004 Whitney Biennial, Nova York, EUA
2003
assume vivid astro focus VII, Deitch Projects, Nova York, EUA
assume vivid astro focus V, Peres Projects, São Francisco, EUA

exposições coletivas selecionadas

2018
Prêmio Pipa 2018, Museu de Arte Moderna (MAM), Rio de Janeiro, Brasil
QueerMuseu - Cartografias da Diferença na Arte Brasileira, Parque Lage, Rio de Janeiro, Brasil
The Phantom of Liberty: Contemporary Works from the RISD Museum Collection, RISD Museum, Providence, EUA
2017
QueerMuseu - Cartografias da Diferença na Arte Brasileira at Santander Cultural, Porto Alegre, Brasil
Histórias da Sexualidade, MASP, São Paulo, Brasil
2016
New Shamans/Novos Shamans: Brazilian Artists, The Rubell Family Collection, Miami, EUA
Cordão dos Mentecaptos, Pivô, São Paulo, Brasil
Soft Power. Arte Brasil, KaDE, Amersfoort, Holanda
always vomit after formalities, performance para Manifesta 11, Cabaret Voltaire, Zurique, Suíça
Structures of Power, Diablo Rosso, Cidade do Panamá, Panamá
Greek Gotham, Dio Horia, Mykonos, Grécia
Mycorial Theater, Pivô, São Paulo, Brasil
Transparência e Reflexo, MuBE, São Paulo, Brasil
2015
Group show, 11R, Nova York, EUA
Coney Island Walls, Coney Island, Nova York, EUA
Inter Play: Architecture, Design and Art, MMCA, Seoul, Coréia do Sul
Love Story: Works from Erling Kagges Collection, Astrup Fearnley Museum, Oslo, Noruega     
2014
Pivô Recebe Casa Triângulo, Pivô, São Paulo, Brasil
2013
15 Years And Counting, Anniversary Exhibition, Museum of Contemporary Art (MOCA), Miami, EUA
Natures Artificielles (Lille 3000), Lille, França
2012
Pop Politics, Centro de Arte Dos de Mayo CA2M, Madrid, Espanha
The Lift: avaf, Kiki Smith, and Andrea Zittel, Bloomberg in collaboration with Art21, Nova York, EUA
In Living Color, FLAG Art Foundation, Nova York, EUA
2011
The Space Between Now and Then, Galleria OMR, Cidade do México
Travessias, Favela da Maré, Rio de Janeiro, Brasil
New York Minute, Garage Center for Contemporary Culture, Moscou, Rússia
2010
Skin Fruit: Selections from the Dakis Joannou Collection, The New Museum, Nova York, EUA
Demons, Yarns, and Tales, James Cohan Gallery, Nova York, EUA
2009
Scorpios Garden, Temporare Kunsthalle Berlin, Berlim, Alemanha
New York Minute, MACRO Museum, Roma, Itália
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, MoMA,
Nova York, EUA
2008
axe vatapá alegria feijão, 28ª Bienal de São Paulo, São Paulo, Brasil              
I/Legitimo, Paço das Artes, São Paulo, Brasil
Super #3, performance with Black Meteoric Star (Gavin Russom), Maison des Arts de Créteil, Paris, França
The Rocky Mountain People Show, Galleria Civica di Arte Contemporanea, Trento, Itália
Cover, Museu de Arte Moderna (MAM), São Paulo, Brasil
When Lives Become Form: Dialogue with the Future Brazil, Japan, MOT, Tóquio, Japão
Glasgow International, Glasgow, Reino Unido
Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Miami, EUA
A New High In Getting Low, John Connelly Presents, Nova York, EUA
2007
shada shada La Chatte, performance, parte da La Noche en Blanco, organizado por Reina Sofia e ARCO, Matadero, Madrid, Espanha
New Perspectives in Latin American Art, 1930-2006: Selections from a Decade of Acquisitions, MoMA, Nova York, EUA
BoysCraft, Haifa Museum of Art, Haifa, Israel
Gravitys Rainbow, Peres Projects, Atenas, Grécia
Space For Your Future, MOT, Tóquio, Japão
Playback, Musée d’Art moderne de la Ville Paris, Paris, França
Sympathy for the Devil: Art and Rock and Roll Since 1967, MCA, Chicago, EUA
Rozamira Festival, Moscou, Rússia
Destroy Athens, 1st Athens Biennial, Atenas, Grécia
Fractured Figure: Works From the Dakis Joannou Collection, Deste Foundation, Atenas, Grécia
2006
Kamp K48, John Connelly Presents, Nova York, EUA
Faces, bodies and contemporary signs of Ernesto Esposito’s collection, Museo D’Arte Contemporanea Donna Regina (MADRe), Nápoles, Itália
Contemporary Video Art from Brazil, KW Institute for Contemporary Art, Berlim, Alemanha 
Tropicália, Museum of Contemporary Art, Chicago, USA; Barbican Centre, London, UK; e Bronx Museum of the Arts, Bronx, Nova York, EUA
Ninth Tropical Night – Pablo Internacional, Palais de Tokyo, Paris, França
Panic Room, works from the Dakis Joannou Collection, Deste Foundation Centre For Contemporary Art, Atenas, Grécia
Trial Ballons/Globos Sonda, MUSAC, León, Espanha
Infinite Painting, Villa Manin Centre for Contemporary Art, Codroipo, Itália
The Garden Party, Deitch Projects, Nova York, EUA
2005
Ecstasy: In and About Altered States, The GeffenContemporary at MOCA, Los Angeles, EUA
Manchmal weiss ich nicht, ob ich etwas wirklich erlebt oder ob ich es in einem Film geshen habe, Sammlung Goetz, Munique, Alemanha
Seeing Double: Encounters with Warhol, Andy Warhol Museum of Art, Pittsburgh, EUA
Drone, Vilma Gold, Londres, Reino Unido
2004
assume vivid astro focus VII, Whitney Biennial, Whitney Museum of American Art, Nova York, EUA
Divided by Lightning, Deitch Projects, Nova York, EUA
Nocturnal Emissions, Groninger Museum, Groninger, Holanda
Byproducts of Work, Contemporary Art Gallery (CAG), Vancouver, Canadá
Carnaval, Centro Cultural do Banco do Brasil, Rio de Janeiro, Brasil
Cave Canem, John Connelly Presents, Nova York, EUA
Such Things I do Just to Make Myself More Attractive to You, Peres Projects, Los Angeles, EUA
The 6th Annual Altoids Curiously Strong Collection, Consolidated Works, Seattle, EUA
2003
Fast Forward (Media Art from the Goetz Collection), ZKM, Karlsruhe, Alemanha
Study, Taka Ishii Gallery, Tóquio, Japão
Today’s Man, John Connelly Presents, Nova York, EUA, e Hiromi Yoshii Gallery, Tóquio, Japão
Corporate Profit vs. Labor Costs, D’Amelio Terras, Nova York, EUA
K48_Teenage Rebel: The Bedroom Show, galerie du jour/agnes b., Paris, França
Karaoke Death Machine, Daniel Reich, Nova York, EUA
Life/Like, Apartment 5BE, Nova York, EUA
2002
Emerging Artists, Rhona Hoffmann Gallery, Chicago, EUA
K48_Teenage Rebel: The Bedroom Show, John Connelly Presents, Nova York, EUA
High Desert Test Sites, Joshua Tree, EUA
End of the Rainbow, Bellwether, Nova York, EUA
222: 2002: Stardust: assume vivid astro focus and Kalaman, Apex Art, Nova York, EUA
Unknown Pleasures, Daniel Reich, Nova York, EUA
Bathroom Group Show, Daniel Reich, Nova York, EUA
Face Value, White Columns, Nova York, EUA
Miss World 1972, Daniel Reich, Nova York, EUA
Alpha Flight, John Connelly Presents, Nova York, EUA
Deslocamentos do Eu: O Auto-Retrato Digital e Pré-Digital na Arte Brasileira, 1976-2001, Itaú Cultural Campinas, Campinas, Brasil
São Paulo Turística, Museum de Arte Moderna Higienópolis, São Paulo, Brasil
2000
To Be Continued, Bellwether, Art In General and Parlour Projects, Nova York, EUA

coleções públicas  

Museum of Modern Art [MoMA], Nova York, EUA
Goetz Collection, Munique, Alemanha
DESTE Foundation for Contemporary Art, Atenas, Grécia
Museu de Arte Moderna de São Paulo, São Paulo, Brasil
Museum of Contemporary Art, Roma, Itália
Museum of Contemporary Art, North Miami, EUA
National Museum of Art, Architecture, and Design, Oslo, Noruega
The Lauro Collection, Il Giardino dei Lauri, Perugia, Itália
De La Cruz Collection, Miami, EUA
The Depart Foundation, Rome, Itália

clipping selecionados

2013
My influences, Frieze, No. 152 January-February, 2013
AVAF, Vaga Magazine, Issue No. 4, Spring, 2013
2012
Vogue Brazil, June 26th, 2012
Dijon, Honey, VMAGAZINE.com, May 30, 2012
Iredale, Jessica. “Inside Melissa’s New Soho Shop,” WWD, February, 2012
Blumenthal, Erica M., “Browsing”, Thursday Styles, The New York Times, February, 2012
Murrow, Lauren. “The Shoes Are Nice Too,” NYMAG.com, February, 2012
2011
B1 Be One Magazine, May, 2011
Graham, Mhairi, “Who, What, Why: Dover Street Market’s Open House”, Anothermagazine.com, October, 2011
Karimzadeh, Marc, “Lady Gaga Links with Barneys New York,” WWD.com, August, 2011
2010
Chaplin, Julia, “ Art Basel Miami’s Big – Buzz 10”, The New York Times, November, 2010
Sophie, Cay, “ Another Vicious Admiring Friend”, V Magazine, November, 2010
Miller, Ken, “ Far Out – AVAF”, New York Times’ The Moment Blog, November, 2010
Rudnik, Katie, “ More Than 2-D – Assume Vivid Astro Focus in Print”, Interview Magazine, October, 2010
Davies, Lucia, “ Who, What, Why – Assume Vivid Astro Focus”, Another Magazine online, October, 2010
2009
Orden, Erica, “Lastly, Play the Odds (But Just For Fun),” New York, April, 2009
2008
Orden, Erica, “The Modern’s Windows Go From Clear to Colorful,” The New York Sun, August, 2008
Paravisi, Riccardo, “The Rocky Mountain People Show.  Galleria Civica di Arte Contemporanea di Trento,” Artkey Magazine, August, 2008
“Art and Public Space. Enel Contemporanea 2008,” Arts and Architecture Journal, issue 66/67
“Enel Contemporanea: Art Among the Ruins,” Art World, August-September, 2008
Pancotto, Pier Paolo, “Perdersi a Roma con Eli Sudbrack,” l’Unita, July, 2008
Drake, Cathryn, “Roman Holiday,” Artforum.com, July, 2008
Patresi, Ludovico, “I Brasiliani di Oggi nella Roma di Ieri”, La Republica, July, 2008
Visconti, Andrea, “La Mia Arte Va Presa a Testate”, L’Espresso, July, 2008
Amadasi, Giovanna, “Astro Boys”, Marie Claire Italia, July, 2008
Vedovotto, Sabrina, “Giochi di Luce a largo Argentina L’archeologia diventa pop-art”, Il Giornale, July, 2008
Fiaschetti, Maria Egezia, “Notte d’arte,” Corriere della Sera, July, 2008
Mattioli, Laura, “Video, luci e gioco: le colonne antiche diventano ‘pop’ “, Il Messagero, July, 2008
“Enel Contemporanea 2008: Tre Nuove Installazione di Artisti Internazionali a Roma e a Venezia,” Il Manifesto, July, 2008
Inaba, Jeffrey, “Enel Contemporanea da Energia all’arte,” Econony, July, 2008
Colavecchio, Valeria, “L’energia diventa arte,” Donna Moderna, June, 2008
“Works in Progress: assume vivid astro focus”, V Magazine, July, 2008
Tang, Alyssa, “Demolition Disco with assume vivid astro focus,” NyArtBeat.com, July, 2008
Kellner, Amy, “ART TALK! ASSUME VIVID ASTRO FOCUS”, Vice TV (vbs.tv), May, 2008
Drysdale, Rebekah, “assume vivid astro focus”, Daily Serving, May, 2008
Rabinowitz, Cay Sophie, “The You-As-Me-Issue,” Parabol, January, 2008
2007
Hasegawa, Yuko, Space for Your Future, exhibition catalog, December, 2007, p. 112-115, p. 160-161.
Smith, Roberta, “Latin American Modernism, The Sequel,” The New York Times, November, 2007.
Mayer, Mariano, “Arte Acumulación,” Neo2, November, 2007.
Schmalenberger, Eric, “Assume the Position,” USELESS, issue 6, p.29, 2007
“assume vivid astro focus,” Art Review, July-August, 2007
Lima, Benjamin, “assume vivid astro focus at John Connelly Presents,” Art in America, November, 2007, p. 208.
Kastner, Jeffrey, “Assume Vivid Astro Focus,” Art Forum, September, 2007, p. 471.
Villasmil, Alejandra, “Assume Vivid Astro Focus,” Arte al Dia International, August-September, 2007, p. 111.
Cotter, Holland, “The Creative Spirit, Strolling Thorugh SoHo With Its Fringe Flying,” NY Times, September, 2007.
De La Barra, Pablo Leon, “Abra Vana Aluciente Fogo, Casa Triangulo, Sao Paolo,” Frog Magazine, Spring-Summer
Issue, 2007.
Laster, Paul, “Interview: assume vivid astro focus,” Artkrush, June, 2007.
“assume vivid astro focus,” Art Review, July–August, 2007.
Risemberg, Rafael, “Four-Letter Words,” nyblade.com, June, 2007.
Lowenstein, Kate, “Art in the City: When Art Attacks,” The L Magazine, June-July, 2007.
Baker, RC, “assume vivid astro focus, Best In Show,” The Village Voice, June, 2007.
“Wallpaper is the next artwork,” New York Magazine, May, 2007.
Genocchio, Benjamin, “Assume Vivid Astro Focus: “A Very Anxious Feeling”, The New York Times, Weekend Arts, May, 2007.
Leffingwell, Edward, “Brazilian Improv,” Art in America, April, 2007.
Hammonds, Kit, “travel: brazil,” tema celeste, March, 2007.
Francesco Spampinato, “A New York: É l’ora della Neopsichedelia,” Arte, March, 2007.
Smith, Roberta, "Cosmologies," The New York Times, February, 2007.
2006
Antebi, Nicole, Dickey, Colin, and Herbst, Robby, Failure! Experiments in Aesthetics and Social Practices, p. 184-188.
Moreno, Gean, “assume vivid astro focus,” Art Nexus, No. 62 Volume 5, 2006, p.76-79.
Cotter, Holland, Butch Queen Realness With A Twist In Pastel Colors,” New York Times, July, 2006.
Bonami, Francesco and Sarah Cosulich Canarutto, Infinite Painting, Villa Manin, Codroipo, Italy, 2006, p. 32.
Zaya, Octavio, Trial Balloons, MUSAC, León, Spain, 2006, p. 9.
Blackley, Lachlan, “assume vivid astro focus,” Wallpaper, Laurence King Publishing, London p. 20-24.
Hastreiter, Kim, “Booty Call,” Paper, June-July, 2006.
“It’s all in the Blend,” Blend, issue 13, June, 2006.
“Handle with Care,” Nylon, March, 2006.
Moreno, Gean, Constant Disturbance: On Cultural Contamination and Foreign Agents, Centro Cultural Espanol, Coral Gables, Florida, 2006, p. 30-31.
Nairne, Sandy and Sarah Howgate, The Portrait Now. National Portrait Gallery, London, 2006, p.38.
“Gallery - Contemporary Art,” Lufthansa Magazine, March 2006, p.86.
Meyers, Julian, “Ecstasy Review,” Frieze, January-February, 2006, p.145.
Paterson, Carrie, “Group Shows: Ecstasy,” Flash Art, January-February, 2006. 
Perrée, Rob, “Kunst als Muziek,” Kunstbeeld, n.12, January, 2006, p. 20 – 23.
Davis, Erik, “Ecstasy: In and About Altered States,” ArtForum, January, 2006.
2005
Grosenick, Uta. Art Now: Vol. 2, 2005, p.36-39.
Domschke, Gisela, “Art, Media, and Video Art in Brazil,” ARCO Contemporary Art n.38, Winter 2005, p. 7 – 11.
“Ecstasy,” Tema Celeste, November-December, 2005.
Campbell, Christopher, “Miami Confidential,” New York Times Style, Winter 2005, p. 108.
Souri, Kim, “Know+Tell,” Details, November, 2005, p. 44.
Kimmelman, Michael, “A Mind Bending Head Trip (All Legal),” The New York Times, November, 2005.
Drohojowska-Philip, Hunter, “The Art Trip,” Artnet.com, Fall 2005.
Meyers, Terry, “High Society,” ArtReview, October, 2005, p. 29.
Knight, Christopher, “Take a Mind Excursion,” Los Angeles Times, October, 2005.
Finkel, Jori. “Dancing on a Ceiling (with Tom Cruise),” New York Times, October, 2005, p. 36, 38.
Muchnic, Suzanne, “Mind-bending Visions,” Los Angeles Times, October, 2005.
Smith, Roberta, “Tune In, Turn On, Dig Art,” New York Times, September, 2005.
Moreno, Shonquis, “Garden of Earthly Delights,” Frame, September-October, 2005, p.88-89.
Schimmel, Paul, Ecstasy: In and About Altered States, MOCA, Los Angeles, CA, 2005, p.54-57.
Smith, Terry, “Biennales: In the Conditions of Contemporaneity,” Art & Australia, Autumn 2005, p.406 – 415.
White, Ian, “It’s a Film Club, and Everyone’s Invited,” ArtReview, vol. LVI, August, 2005, p.46 – 47.
Connelly, John, “assume vivid astro focus,” Vogue Hommes, Spring/Summer 2005, p.114 – 117.
Leventis, Andreas, “Emerging Artists: Man or Multitude? The bootlegged beauty of assume vivid astro focus,” Modern Painters, April, 2005, p. 48 – 49.
Cattelan, Maurizio. “Holding Court: Assume Vivid Astro Focus and Cory Arcangel,” Tokion, March/April 2005,
p.56 – 57.
“Inner Cities”, ArtReview, March, 2005, p.60 – 63.
Reginato, James, “Sky High”, W, vol. 34 issue 3, March, 2005, p.42.
Grayson, Kathy and Jeffrey Deitch. “Assume Vivid Astro Vocus,” Live Through This, 2005, p. 94-97.
2004
Van Der Zijpp, Sue-an, “Nocturnal Emissions:Assume Vivid Astro Focus,” Groninger  Museum Magazine, November, 2004, p.8.
Valdez, Sarah, “Club Psychedelia: Last Night An Artist Saved My Life,”PaperMag, November, 2004, p. 62 – 63.
“The Magnificient Seven: What to look for at the Frieze Art Fair 2004,” Art Review, October, 2004, Ed. International, p.35.
LaFreniere, Steve, “My Pop,” ArtForum, October, 2004, p. 247.
Herzog, Eve, “Hot List: The New Artist to Know,” Harper’s Bazaar, September, 2004, p. 275.
Corbetta, Caroline, “Temporary Name,” Vogue Uomo, July-August, 2004, p. 46.
Prisco, Joanna, “Spin Me Around,” Surface, Surplus: Art, The Disco Luxe Issue, n. 48, p. 178.
LaVallee, Andrew, “Young Artists Get Personal with Politics in Group Show,” NY Arts, July, 2004.
Wolf, Matt, “Majority ‘Whip’,” Flash Art, July-September, 2004, p. 63.
Korotkin, Joyce B., “The Neo-Baroque Era,” Tema Celeste, June-August, 2004, issue 104, p. 38 - 45.
Bankowsky, Jack, “Many Happy Returns, This Is Today,” ArtForum, May, 2004.
“American Pie,” Frieze, issue 83, p. 65.
Jane Grossman, Anna, “Who?” The New York Observer, April, 2004.
Scott, Andrea K, “Free Parking,” TimeOut, April, 2004.
Sundell, Margaret, “The today show: The Whitney sums up the state of contemporary art in the best biennial in years,” Time Out, March-April, 2004.
Weyland, Jocko, “American Splendor,” TimeOut, March, 2004.
Schjeldahl, Peter, “What’s New,” New Yorker, March, 2004, p. 100.
Kimmelman, Michael, “Touching All Bases,” New York Times, March, 2004.
Cotter, Holland, “Duck! It’s Whitney Biennial Season Again,” New York Times, March, 2004.
Rosenberg, Karen, “Biennial Favorites”, New York Magazine, March, 2004.
2003
Cobb, Chris, “assume vivid astro focus”, Flash Art, Janeiro-Fevereiro, 2003, p. 112.
Cotter, Holland, “Paul P.,” New York Times, Julho, 2003, p. E33.
Eleey, Peter, “K48-3: Teenage Rebel – The Bedroom Show,” Frieze, Abril, 2003, p. 104.
Garret, Craig. “Teenage Rebel at John Connelly Presents,” Flash Art, Março-Abril, 2003, p. 51.
Kimmelman, Michael, “Now Playing,” New York Times, Julho, 2003, p. E33.
Laster, Paul, “K48-3: Teenage Rebel – The Bedroom Show”, Time Out, Janeiro, 2003, p. 59.
Lee, Carol, “The Scope Art Fair at Dylan Hotel,” Paper , Março, 2003.
Levin, Kim, “assume vivid astro focus,” Village Voice, Julho, 2003.|
Raymond, Jon, “Assume Vivid Astro Focus,” Artforum, Julho, 2003.
Robinson, Walter, “Weekend Update: Scope Art Fair”, artnet.com, Março, 2003.
Robinson, Walter, “Weekend Update,” artnet.com, Julho, 2003.
Rosenberg, Karen, “Outside and In,” Village Voice, Janeiro, 2003, p. 69.
Smith, Roberta, “A Bread-Crumb Trail to the Spirit of the Times,” New York Times, Janeiro, 2003.
Smith, Roberta, “A Grand Finale of Group Show Fireworks,” New York Times, Julho, 2003, p. E31.
2002
Arruda, Fernanda, 222-2002: Stardust, Exhibition Brochure, Junho, 2002.
Bollen, Chris, “Two for Tee,” V Magazine, Março-Abril, 2002.
Cotter, Holland, “Assume Vivid Astro Focus,” New York Times, Junho, 2002, p. E37.
Johnson, Ken, “Face Value,” New York Times, Fevereiro, 2002, p. E42.
LaFreniere, Stev, “Top Ten,” Artforum, Maio, 2002, p. 47.
Powhida, William, “Bubblegum Disco in Space,” artnet.com, Julho, 2002.
Yee, Lydia, Musique/Video, Exhibition Catalog, Novembro, 2002, p. 174.
“Critic’s Picks: 222-2002,” Time Out, Junho, 2002, p. 62.
High Desert Test Sites, exhibition catalog, Novembro, 2002, p. 18.
2001 
Chiarelli, Tadeu. “O Auto-Retrato na (da) Arte Contemporânea”Deslocamentos do Eu: O Auto-Retrato Digital e Pre-Digital na Arte Brasileira, 1976-2001, exhibition catalog, Julho, 2001.
Cotter, Holland, “Miss World 1972,” New York Times, Dezembro, 2001, p. E44.
Philips, Richard, “Top Ten,” Artforum, Novembro, 2001.
Scott, Andrea, “Goings on About Town: Alpha Flight,” New Yorker, Dezembro, 2001, p. 18.

prêmios

2018
Finalista do Prêmio Pipa 2018
2007    
The Public Art Fund’s In The Public Realm Grant    
2002    
The Rema Hort Mann Foundation Grantparaartistasemergentes