Casa Triângulo
Skip to main content
  • Menu
  • Home
  • Artists
  • Exhibitions
  • Viewing room
  • News
  • Art Fairs
  • Publications
  • About
  • EN
  • PT
Menu
  • EN
  • PT

Juliana Cerqueira Leite

  • Overview
  • Works
  • Biography
  • exhibitions
  • Publications
  • News
  • Press
  • Art Fairs
  • CV
Juliana Cerqueira Leite, Blind Spot II, 2015

Blind Spot II, 2015

Blind Spot II (2015), the new version of an earlier work that Leite developed for Lustwarande '15, marks a further exploration of space. The sculpture was created by coating the interior of a large free-standing plywood mould, which Leite entered from below, with wet clay, within which the artist performed horizontal movements. The negative form was subsequently treated with plaster and acrylic polymer. The asymmetry of the human body forced Leite to restrict her arm movements. As Leite could not reach fully around her back, the rear of the work is less detailed than the front, and the sculpture does not form a perfect circle. The imperfection is the result of the position and orientation of the human body. By exploring the space with hands and feet, Leite investigates the reach and limitations of her body. In this respect, Blind Spot shows striking similarities with a number of earlier works by the British artist Antony Gormley (b. 1950), such as Earth, Fruit and Body (1991/93). Blind Spot II is, however, more than an intimate imprint of Leite's body; it shows both the physical potential and the limitations of the female body in appropriating space for itself.
Read more

exhibitions

Lustwarande, Rupture & Pain, 2015, installation view, commission of new monumental sculpture, De Oude Warande forest, Tilburg, Netherlands

Blind Spot II (2015), the new version of an earlier work that Leite developed for Lustwarande '15, marks a further exploration of space. The sculpture was created by coating the interior of a large free-standing plywood mould, which Leite entered from below, with wet clay, within which the artist performed horizontal movements. The negative form was subsequently treated with plaster and acrylic polymer. The asymmetry of the human body forced Leite to restrict her arm movements. As Leite could not reach fully around her back, the rear of the work is less detailed than the front, and the sculpture does not form a perfect circle. The imperfection is the result of the position and orientation of the human body. By exploring the space with hands and feet, Leite investigates the reach and limitations of her body. In this respect, Blind Spot shows striking similarities with a number of earlier works by the British artist Antony Gormley (b. 1950), such as Earth, Fruit and Body (1991/93). Blind Spot II is, however, more than an intimate imprint of Leite's body; it shows both the physical potential and the limitations of the female body in appropriating space for itself.
Previous
|
Next
32 
of  44

RUA ESTADOS UNIDOS 1324  CEP 01427-001 / SÃO PAULO / BRAZIL

TUESDAY TO FRIDAY / FROM 10AM TO 7PM / SATURDAY / FROM 10AM TO 5PM / P: +55 11 3167-5621 / INFO@CASATRIANGULO.COM 

Instagram, opens in a new tab.
Facebook, opens in a new tab.
Artsy, opens in a new tab.
Send an email
View on Google Maps
Manage cookies
Copyright © 2025 Casa Triângulo
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences