Overview

Metaphors of water, sky and rough sea, the sublime of romanticism and overseas longing are elements that Sandra Cinto mobilizes to completely transform exhibition spaces and offer stairs and portals to a poetic dimension of the cosmos. The artist invites the observer to navigate through the drawing and empower themselves by making use of the theory that we are all star dust, so we are all Light!

Works
Biography
Sandra Cinto (1968, Santo André, Brazil), lives and works in São Paulo, Brazil. Since the early 1990s, she has presented her work in museums and institutions worldwide. She has held solo exhibitions such as Preludio para el sol y las estrelas at Es Baluard Museu D’Art Contemporani de Palma, Mallorca, Spain (2025); Cosmic Garden at Fondation Hermès Le Forum, Tokyo, Japan and Das Ideias na Cabeça aos Olhos no Céu at Instituto Itaú Cultural, São Paulo, Brazil (2020); Landscape of a Lifetime at the Dallas Museum of Art, Dallas, USA (2019-2020); Library of Love at the Contemporary Art Center Cincinnati, USA (2017); USF Contemporary Art Museum, Tampa, Florida, USA (2015); En Silencio at Matadero - Centro Atlántico de Creación Contemporánea, Madrid, Spain and La otra orilla at Centro Atlántico de Arte Moderno, Canary Islands, Spain (2014); Imitação da Água at Instituto Tomie Ohtake, São Paulo, Brazil (2010); A Travessia Difícil aprés Gericault at Museu de Arte Contemporânea Union Fenosa, La Coruña, Spain (2007); Projeto Parede at Museu de Arte Moderna de São Paulo, São Paulo, Brazil and Museu de Arte da Pampulha, Belo Horizonte, Brazil (2003).
 
Among her numerous public projects and commissioned works, noteworthy examples include: Prelúdio ao Sonho e Melodia para as Estrelas I e II, Teatro Cultura Artística, São Paulo, Brazil and Night of Hope, AT&T Stadium - Dallas Cowboys Art Collection, Dallas, USA (2024); Let Freedom Ring, Johns Hopkins Bloomberg Center, Washington, D.C., USA (2023); The Wishes Boulevard, Thailand Biennale, Korat, Thailand and the Rooftop of the Rosewood Hotel, São Paulo, Brazil (2021); Water Movement, Itaúsa Bank, São Paulo, Brazil (2020); Open Seascape, Memorial Sloan Kettering Cancer Center, New York, USA (2019); Untitled for Murals of La Jolla, USA and The Invisible Telescope, USF Kate Tiedemann College of Business, Tampa, USA (2018); Library of Love, Contemporary Art Center Cincinnati, USA (2017); The Great Sun, P.S. 56, New York, USA (2016); One Day, After the Rain, commissioned by The Phillips Collection, Washington, D.C., USA (2012-2013); Encounter of Waters, Seattle Art Museum’s Olympic Park Pavilion, Seattle, USA (2012-2014); A Casa das Fontes [The House of Fountains], Casa do Sertanista, São Paulo, Brazil (2013); Quando a Noite Vem ao Meu Quarto, Parque Ecológico Municipal Estoril–Virgilio Simionatto, São Bernardo do Campo, Brazil (2012) and Japonismo, SESC Santo André, Brazil (2011).
 
Her works are part of major public collections, including: Museum of Modern Art, New York, USA; National Gallery of Art, Washington D.C., USA; Albright-Knox Art Gallery, Buffalo, USA; Boston Institute of Contemporary Art, Boston, USA; Dallas Museum of Art, Dallas, USA; Museum of Contemporary Art San Diego, USA; The Phillips Collection, Washington, D.C., USA; Centro Atlântico de Arte Moderno, Canary Islands, Spain; Centro Cultural Banco do Brasil, São Paulo, Brazil; Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain; Fundación ARCO, Madrid, Spain; Fundación Pedro Barrié de la Maza/Conde de Fenosa, La Coruña, Spain; Instituto Inhotim, Brumadinho, Brazil; Museu de Arte Contemporânea da USP, São Paulo, Brazil; Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Museu de Arte Moderna Aloísio Magalhães, Recife, Brazil; Museu de Arte Moderna/Gilberto Chateaubriand Collection, Rio de Janeiro, Brazil; Museu de Arte do Rio, Rio de Janeiro, Brazil; Museu de Arte de São Paulo Assis Chateaubriand, São Paulo, Brazil and Pinacoteca Municipal de São Paulo, São Paulo, Brazil.
exhibitions
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  • SANDRA CINTO . LALETTURA . CORRIERE DELLA SERA

    12 February 2023
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